Where is Art going?

The previous level hinted at where science is going. A more difficult question
concerns where is art headed? If the Florentines Michelangelo Buonarroti
(1475-1564) and Leonardo da Vinci (1452-1519) were alive today, what
would they create? What would they want to communicate? The revolutions
inspired by Nicolaus Copernicus (1473-1543), Galileo Galilie (1564-1643),
Adam Smith (1723-1790), Charles Darwin (1731-1802), Thomas Jefferson
(1743-1826), Abraham Lincoln (1809-1865) et. al. have all risked making us
meaningless motes in a universe hardly worth calling a cosmos. Each of  these
revolutionaries was aware of the potentially dark and depressing side of their
shining vision. Each of them wrestled with the challenge of marrying heaven
and hell, while knowing that opposing each great truth is another worthy vision.
They learned that the order of the universe is derivable from what seems like
no laws and no hierarchies whatsoever. They did not know how pure music
could emanate from a void, but they did indeed hear music--glorious music
from the most ordinary seeming events. How is this possible?

Consider a wolf ... If we envision him in the context of larger and larger systems
we end up seeing him as an infinitesimal speck in the universe. If we instead
dissect the wolf and continue dividing until we single out the minutest particles
which comprise his body, we encounter the quarks and leptons which in part
explain the large scale structure of the universe. Quarks and leptons help to explain
the Big Bang. In return, the Big Bang derives quarks and leptons. Neither is more
primitive than the other, and the wolf (now howling at the moon) is also on an equal
footing with these primitive things. The wolf, his macrocosm and his microcosm
are clasped in a Copernican unity with heaven on earth. There is no ultimate seat
or center of understanding. Everything is equally important whether it be blacks or
whites, Muslims, Christians, Hindus, biology or cosmology, or even government
versus private initiative. Yes, we are one and love makes the world go round ...

... enter: Ode to Joy

Freude, schöner Götterfunken,
Tochter aus Elysium
wir betreten feuertrunken,
Himmlische, dein Heiligtum!
Deine Zauber binden wieder,
was die Mode streng geteilt;
alle Menschen werden Brüder,
wo dein sanfter Flügel weilt.*

In English:
Joy, thou gleaming spark divine,
Daughter from Elysium,
drunk with ardor, we draw near,
goddess, to thy shrine!
Your magic unites again
what fashion harshly separates;
All mankind become brothers
where thy gentle wing tarries.

Beethoven forged and sub-created using Schiller's lyrics for 30 years.
During this period, the French Revolution and the Reign of Terror tore
Europe asunder. Beethoven's audience was in no mood to hear about
brotherhood, and yet, he relit the spark! He coaxed Love & Joy & Mystery
from the void, from the uncarved block.

If Michelangelo and Leonardo were alive today, standing upon the shoulders
of the Ancients, what would they create? What would Leonardo do with a Nikon
camera? He would marvel at its precision and explore the processes of photography.
He might tremble and think, "All of the work is done for me, automatically. What
is there left for me to do?" Indeed, 99% of the work is managed by technology.
It is in the remaining 1%, this precious mustard seed, that the manifestation of our
spirit hinges. The entire value of a picture depends on how well we prepare to look
through the camera's viewfinder. The meaning of the cosmos is precariously balanced
in our own hands; snap at random and all of the meaning is gone. Pause, think and
squeeze affectionately, and just maybe you'll give a bit of sanctity to a fleeting moment.
Just imagine, Leonardo, the photographer, the spirit-capturer, the cosmographer.
What fun!

If we do not put up a fight, science and technology can destroy our art and reduce everything
to frenzied matter. Leonardo and Michelangelo were scientists before there was any science
in the modern sense. For them, "science" was art's advocate. Their anatomical studies and
dissections inflamed their art with truth and intelligence. With their knowledge of perspective
they reached beyond architecture and created (like gods) entire frameworks (cities if you will)
for seeing and being. Imagine Michelangelo today, the urban planner! For him, the kingdom
of God would be an interior dream, nourished by Christ, whose fulfillment is precariously
balanced in our own delicate hands. The future would not be determined; it would not even
exist! It would be replaced by awesome possibilities -- both wonderful and terrible. Base
matter would be holy clay from which almost anything can be created. Reality would be
just the beginning the gods would still wish to be human. The terrors of Newton, free-markets
and Darwin would be overpowered by the joys of unfettered freedom and sheer potential.
"Arise homo erectus and stand tall; be not ashamed; open your hearts and spread your wings,"
would be Michelangelo's message. "Stop your grovelling and create! Plunge into the river of
life and embrace life. Don't worry. Breathe in, relax and let the seeds of the ancients grow in
your soul. Your finest dreams have yet to come. Stroke the river with confidence and dive
into its currents."

Of old sat Freedom on the heights,
The thunders breaking at her feet;
Above her shook the starry lights;
She heard the torrents meet.
. . . . . . .
Her open eyes desire the truth.
The wisdom of a thousand years
Is in them. May perpetual youth
Keep dry their light from tears.
. . . . . . .*

FIN
 
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*Lyrics from Johann von Schiller (1759-1805) who died almost 20 years
before Beethoven's 9th was produced
*Closing lines are excerpted from Alfred Tennyson's
"Of Old Sat Freedom on the Heights" written 1833-34; 1842
© Beyond Photography Renaissance series is copyrighted 11/20/97.
Ask for permission to copy and watch for subtle updates.
Level 12.